While I was writing and recording The Fall Will Probably Kill You, I experimented with the Orkney Tuning and, although none of those sketches got turned into tracks for the album, I enjoyed it a lot.
Orkney Tuning is very strange – it is familiar in some respects, yet very different from expectation in many others. You can get into a little groove thinking you have it all under control, but then one little misstep, and you are suddenly way outside of the lines. It is lovely and brutal.
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